| | |  | FOLK MUSIC | Home » » Festival! - The Newport Folk Festival | | | | | | | Description: | | Murray Lerner's film "Festival" is a cinematic synthesis of four Newport Folk Festivals in which the art of folk music is pictured in transition during its most crucial years. The range is from Bob Dylan performing "Tambourine Man" and Joan Baez doing "Farewell Angelina," to country artists like Johnny Cash playing "I Walk the Line" to the Georgia Sea Island Singers. The range is also from the high-priced professionals like Peter, Paul, and Mary to the authentic folk dignity of living legends such as Son House and Mississippi John Hurt. Joan Baez, Donovan and Judy Collins are all on view, as are Pete Seeger, the Ed Young Fife and Drum Corps and numerous others that give a feeling of community with the whole American present, and continuity with the American past. Indeed, the long-haired Newport audiences pictured sleeping on beaches and on the grounds, in sports cars and battered station wagons, plunking banjoes and guitars, swapping tunes between formal concerts, and talking about folk music, seem not a rupture with the American past, but an expression of carrying forward an American idealism and social concern. Track Listing:
1) Hannah - Jim Kweskin & The Jug Band w/ Mel Lyman
2) If I Had A Hammer - Peter, Paul and Mary
3) Rocky Road - Sacred Harp Singers
4) Traditional Spiritual - Georgia Sea Island Singers
5) Clog Dance - Blue Ridge Mountain Dancers
6) Black Mountain Rag - Tex Logan and The Lilly Brothers
7) Green Corn - Pete Seeger
8) Codeine...And It's Real - Buffy Sainte-Marie
9) Deep Blue Sea - Pete Seeger
10) Lordy, Lordy - Odetta
11) Go Tell Aunt Rhody - Joan Baez and Peter Yarrow
12) Mary Hamilton - Joan Baez
13) All I Really Want To Do - Bob Dylan
14) All Our Trials - Joan Baez
15) Blowin' In The Wind - Peter, Paul and Mary
16) And The War Drags On - Donovan
17) Turn, Turn, Turn - Judy Collins
18) Viet Nam, Your Latest Game - Donovan
19) Just Can't Keep From Cryin' - Odetta
20) Times They Are A Changin' - Peter, Paul and Mary
21) Highway 61 - Fred McDowell
22) Keys To The Highway - Brownie McGhee and Sonny Terry
23) Candy Man - Mississippi John Hurt
24) Maggie's Farm - Bob Dylan
25) Instrumental - Ed Young Fife & Drum Corps
26) Feed Me, Jesus - Swan Silvertones
27) Help Me, Jesus - Staple Singers
28) Ain't Gonna Let Nobody Turn Me `Round - Freedom Singers
29) Go Tell It On The Mountain - Fannie Lou Hamer
30) We Shall Overcome - Freedom Group Finale w/ Odetta
31) I Was Born In Chicago - Paul Butterfield Blues Band
32) Son House Blues - Son House
33) You Hear My Howling Early In The Morning - Howling Wolf
34) Pack Up Your Sorrows - Mimi and Dick Farina
35) Flute Instrumental - Spokes Mashiyane
36) Cheek Slapping - Cousin Emmy
37) Russian Song - Theodore Bikel
38) Anathea - Judy Collins
39) I Walk The Line - Johnny Cash
40) Ruby - Osborne Bros.
41) Farewell Angelina - Joan Baez
42) Tambourine Man - Bob Dylan
43) Rising Of The Moon - Peter, Paul and Mary
44) Down By The Riverside - Group Finale w/ Baez, Odetta and Seeger | | | Features: | |
• Bob Dylan
• Joan Baez
• Pete Seeger
• Johnny Cash
• Peter, Paul & Mary
| | | Product Details: | | | Actors:
| Joan Baez, Horton Barker, Fiddler Beers, Theodore Bikel, Mike Bloomfield | | Director:
| Murray Lerner | | Format:
| Color, Dolby, DTS Surround Sound, DVD, Subtitled, NTSC | | Language:
| English | | Subtitle:
| French, Spanish | | Number of Discs:
| 1 | | Studio:
| Eagle Rock Entertainment | | Run Time:
| 95 minutes | | DVD Release Date:
| October 18, 2005 | | Average Customer Rating:
|  based on 25 reviews |
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| New | |
| $8.99 | New | | | $9.00 | New | | | $9.64 | New | | | $10.15 | New | | | $10.60 | New | | | $11.35 | New | | | $11.69 | New | | | $12.06 | New | | | $12.48 | New | | | $12.62 | New | | | $12.64 | New | | | $13.05 | New | | | $13.23 | New | | | $13.42 | New | | | $13.48 This item is eligible for FREE Super Saver Shipping on orders over $25. | New | | | $14.81 | New | | | $15.17 | New | | | $15.17 | New | | | $16.00 | New | | | $18.00 | New | | | $119.99 | New | |
| Used | |
| $6.78 | Used
- Good | | | $6.79 | Used
- VeryGood | | | $7.18 | Used
- VeryGood | | | $7.95 | Used
- Mint | | | $7.99 | Used
- Mint | | | $8.46 | Used
- Mint | | | $8.47 | Used
- Mint | | | $8.57 | Used
- Mint | | | $8.95 | Used
- Mint | | | $12.75 | Used
- Mint | | | $14.81 | Used
- Mint | | | $38.00 | Used
- VeryGood | | | $49.09 | Used
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| | | | Customer Reviews: | |
Average Customer Review:
 ( 25 customer reviews )
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Most Helpful Customer Reviews
104 of 112 found the following review helpful:
 Well it was cheapOct 28, 2005
By Nicholas Papamarcos
Disappointed is an understatement. In actuality the film is pretty good or better. The disappointment is not one full song shown and some, Spider John are only 10 seconds. I know that not every second was filmed but here's an idea that would have satisfied Lerner's artistic desires and many peoples natual desire to see moreof the music. Double the price, on disc one show the film and on disc 2 have full versions of 2 hours of Artists. And I mean everyone from the 3 song electric Dylan to some Joan and all the biggies to the more obscure examples of our culture like the cloggers shouters etc. 2 things would then happen, I could watch the film without the constant feeling of coitus interuptus and see some killer acts from my very young life and our culture as a people. As it is the price is right if you want it but I doubt I'll watch it a 2nd time
24 of 26 found the following review helpful:
 Pre-Woodstock festival in beautiful b&wJan 27, 2006
By Barry Smith
Before Woodstock, before Isle of Wight, before Monterey Pop, music fans of the early 60s went to Rhode Island for the Newport Folk Festival, a series of annual summer concerts featuring the best of the folk music scene. Murray Lerner and various other movie crews were on hand from 1963-1966 to film the musicians, the audience, and the interactions of the two groups. FESTIVAL captures this interaction well over the course of the film. However, one significant interaction exists throughout which seems to be the true focus of FESTIVAL: the old folkies versus the young upstarts. Whereas the original festival concept was to showcase the traditional folk acts (such as Pete Seeger, Peter Paul & Mary, square dancers and various gospel singers), a younger audience began to emerge onto the folk scene, cultivating their own tastes and styles, and moving towards a more rebellious attitude. Their heroes were more outspoken personalities such as Johnny Cash, Joan Baez and Bob Dylan. Still, this is the pre-hippie era, so even the most rebellious kids tend to keep their hair short and their dress conservative. But things were about to change. FESTIVAL succeeds in capturing this era of transition, and many of the interviews with the performers and the young fans are priceless. There is one group of college age kids who comment on Bob Dylan's performance. I can't believe how much they resemble kids of today, from their pompous attitude, their fondness for longish hair, cigarettes, beer, and having a party. Obviously many of today's attitudes were already taking shape back in the early 60s.
As a concert film, FESTIVAL succeeds as well. Although some acts are indeed edited, this problem isn't annoying as others have stated. The film shows quite many performers, but all the music is real good. Near the end, you see Newport's most famous moment of controversy... Bob Dylan's electric performance of "Maggie's Farm." Bob Dylan is the superstar of Newport. All the musicians played his tunes (mostly in acoustic format) and the fans scrutinized everything he did. But Dylan's biggest function in this movie is this: he had brought the young music fans rock music into the folk scene (and making it a legitimate art form). The traditional folkies booed Dylan, but a new generation embraced him, and they were about to break away and organize festivals of their own, ones which were louder and more controversial. Monterey Pop took place in 1967 and the big one.... Woodstock was lurking at the end of the decade.
FESTIVAL is a great document of American music in transition, and a fun film for music lovers of various tastes. The footage is in black and white but it's a film of many cool colors and styles.
22 of 24 found the following review helpful:
 BittersweetDec 28, 2005
By Robert H. TAYLOR
"robstercraw"
Of course I am delighted to finally see this film I have only heard about and drooled over wanting to view it for several years, and I have no doubt that Scorcese's Dylan documentary had something to do with this film's much-overdue release, but like many reviewers have already said, this film can be a bit of a tease because most of the performances are painfully short.
I hate to complain, but I am anyway. On one hand, it is beautifully shot, with great audience segments and interviews, and for that it deserves credit, but what angers me is that clips of this movie were shown on the Scorcese documentary that do not appear on this DVD! Very historical clips, not just cutting-room floor stuff. That means there is more material that is available but (for some unknown reason) not included in this, the official DVD release, including the famous moment when Peter Yarrow is in a panic during Bob Dylan's electric set. Such a huge historical moment, beautifully captured on Scorcese's documentary, but excluded on this DVD. Because of the Scorcese documentary, the public knows more footage is out there. To whomever produced this DVD, please find a way to compile the extra footage on a bonus disc and reissue it as a two-disc set.
It's hard to complain, because I enjoy the movie. It just hurts, especially in these days of bonus footage and lost outtakes, that we (the consumer), for whatever reason, are not allowed to see as much as possible, which easily could have been included on an extra disc and sold at a higher price. Everything else about this movie is great. They cover many musiciains and festival-goers, and try to give their perfomances equal time with the small amount of time the producers allowed for themselves. That part is great, it just hurts to see only 10 seconds of Donovan's only appearance in the film, or only a few seconds of Dylan. Maybe I am spoiled by other music documentaries that show entire songs? I don't know, but I would still recommend buying this historical film
37 of 47 found the following review helpful:
Really not worth owning, despite the priceNov 19, 2005
By Thomas B. Gross
I ordered this impulsively when it became available - for some reason I thought it would be worth owning at the price ($10) but even that cheap it's really not a keeper.
It's somewhat reminiscent of the Evening Concert Anthology LPs that Vanguard produced in the Sixties from the Newport Festivals in that, given the diversity of folk genres represented, very few people are going to be interested in all the music although a few performances might be to one's taste. That was always a problem with "festivals" in the Folk Era: fans of Lativan folk music had to sit through performances of Muddy Waters (and vice versa).
This particular film suffers from the fact that it mixes performances from four years of Newport festivals starting in 1963: a lot changed in popular music and in contemporary events during that time and it's up to the viewer to figure out that the "youth" who is worried about "the bomb" is not yet worried about the draft.
Thus I can only guess that the most provocative moment in this film is probably at a "Topical Song" workshop where Bob Dylan appears at the end of the show and sings only "All I Really Wanna Do (is Baby be friends with you...)" which is anything but a protest song, and was probably exactly his point. Similarly his electric performances are presented in this film as just another genre of folk music.
It's easy to see why Scorcese used outtakes and longer excerpts from the production of this film. As others have mentioned, I found it very frustrating that only 15-20 seconds of Spider John Koerner is included, and only the last verse of Judy Collins singing "Anathea" (a song which is kind of a guilty pleasure for me personally).
7 of 8 found the following review helpful:
 Memory LaneJan 24, 2007
By Tony Williams
How low key the festivals of this past era now seem. Audiences actually shut up and listened to the music and lyrics. The music makers cared about the world and influenced a generation, and changed history. A feast of talent presented in an honest and un flashy reality.
See all 25 customer reviews on Amazon.com
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